This 90-minute lecture offers a concise yet rich introduction to the history and techniques of Chinese lacquer art. From Chu-style inlays to Fujian’s dry-lacquer and Jiangnan’s carved lacquer, it explores diverse regional styles and their cultural significance. Through storytelling, high-resolution imagery, and live demonstrations, participants will discover lacquer’s unique connection to time, ecology, and craftsmanship. Suitable for all ages, the program is available both in person and online, and can be tailored to different areas of focus.

这场90分钟的讲座将以简洁而丰富的方式介绍中国漆艺的历史和技艺。从楚式镶嵌到福建干漆，再到江南雕漆，它将探索不同的地域风格及其文化意义。通过故事讲述、高清图像和现场演示，参与者将探索漆器与时间、生态和工艺的独特联系。该讲座适合所有年龄段的参与者，提供线下和线上两种方式，并可根据不同的关注领域进行定制。 

The mother-of-pearl inlay technique—known as luodian in Chinese—originated during the Tang dynasty and flourished in the Song and Ming periods. Artisans embedded iridescent shell fragments into lacquered surfaces to create shimmering patterns that reflected light and conveyed themes of nature and refinement. In Chinese aesthetics, mother-of-pearl symbolizes purity, elegance, and light, and was historically used in high-status objects such as dowry chests, writing boxes, ritual furnishings, and musical instruments.

In this two-hour hands-on workshop, students will use natural shell fragments and imitation gold foil to create a decorative lacquer panel. The foil is used to mimic elements like leaves and highlights, encouraging a playful blend of traditional techniques and contemporary expression. Each student will receive a pre-cut lacquer base panel and all required materials. The class focuses on basic composition, guided application of inlay materials, and sealing with a simple protective finish. Drawing is not required—students can directly explore form and pattern through tactile collage.

The workshop is suitable for 3rd grade and above, and adaptable for teens and adults at varying skill levels.

Chinkin (沈金), meaning “sinking gold,” is a time-honored lacquer engraving technique that originated in China and matured in Japan, known for its refined surface incisions and luminous metallic infill. Practiced historically in elite ceremonial ware and religious art, the method involves carving delicate lines or dots into hardened lacquer and then embedding gold or silver powder to reveal the image. Revered for its quiet elegance and meditative rhythm, chinkin represents one of the most contemplative forms of decorative craft in East Asia.

Single-Session Experience (2.5–3 hours):

Participants will be introduced to chinkin through guided tool use, surface marking, and metallic powder application. Each student will complete a small engraved sample piece on a pre-lacquered board. No prior experience is necessary, though comfort with fine motor work is helpful. Tools will be provided for in-class use. This workshop is ideal for students age 16 and above, particularly those interested in printmaking, slow craft, East Asian aesthetics, or meditative making. 

For more advanced participants or those seeking deeper immersion, this extended track explores pattern development, surface control, engraving rhythm, and cultural-historical connections across Chinese and Japanese lacquer traditions. Students will work toward a complete engraved gold-inlay artwork with greater design autonomy and technical fluency.

Natural lacquer materials are used throughout, including black baseboards prepared with traditional Chinese lacquer and Japanese-style roiro finish to ensure optimal surface for carving. Chinkin tools (specialized engraving needles and soft applicators) will be provided for shared use during class but are not included for take-home. This workshop is ideal for students age 16 and above, particularly those interested in printmaking, slow craft, East Asian aesthetics, or meditative making.